… while a black-and-white sequence shot with shattered light effects is one of the most inventive and straightforwardly good-looking Marvel action scenes we’ve seen in an aeon.
Link to full article
The Independent
Befores and Afters with Jake Morrison
VFX Supervisor Jake Morrison discusses the lighting rig we developed for Thor: Love and Thunder
Before and Afters Podcast
Marvel Studios' Thor: Love and Thunder | The Secret Behind Thor's Lightning
Jake Morrison discusses the new film-making techniques we developed and used in Thor: Love an Thunder
VFX Voice
Oscars
We’re honored to see the work we collaborated on with our PlateLight technology for Thor: Love and Thunder featured here as it is put forward for consideration at this years Oscars.
Thor: Love and Thunder
We are thrilled to announce our latest work with Taika Waititi and Marvel. We cant say much yet about this movie, but we have gone where none have gone before. More news sooon!
Wired Magazine talks to Taika Waititi about Satellite Lab on Thor: Love and Thunder
https://www.wired.co.uk/article/taika-waititi-free-guy
PlateLight Demo with Stu
Super kooky explanation of our new PlateLight technology.
PlateLight allows us to film multiple lighting set-ups simultaneously, on one camera, without time offset, as separate pieces of footage. Then all the lighting is controlled in post -- timing, mixing, color, brightness, relighting, etc.
Amazing tool for composting lighting for live action, or shooting mattes as separate footage, VFX and effects lighting.
Vision Research + Satellite Lab Case Study
Vision Research features our work on Thor and our new technology as it intersects with the world of high speed imaging and Phantom cameras.
"The resulting effect... is being lauded by film critics as the most visually-stunning scene in a Marvel movie ever."
Read the article here
Satellite Lab's New Stills + Motion Technology in PDN Magazine
"The result of their exploration is a new technology allowing stills and motion to be captured at the same time, on the same set, with separate lighting setups customized to each type of image capture."
Read the article here
Fischerspooner Music Video
OUR VIDEO FOR FISCHERSPOONER'S BUTTERSCOTCH GODDAM IS OUT. SONG FEATURES JOHNNY MAGEE, PRODUCED BY MICHAEL STIPE.
DIRECTED BY OUR CO-FOUNDER CARLO VAN DE ROER, THE VIDEO UTILIZES OUR DYNAMICLIGHT AND PLATELIGHT TECHNOLOGIES. FILMED AT OUR STUDIO IN NY.
SONG WRITTEN BY MICHAEL STIPE, CASEY SPOONER, WARREN FISCHER, LE CHEV & JOHNNY MAGEE. MIXED BY STUART WHITE.
DIRECTED BY CARLO VAN DE ROER
PRODUCER, MAY LIN LE GOFF
DIRECTOR OF PHOTOGRAPHY, STEPHEN MEIERDING
EDITOR, WARREN FISCHER
COLORIST, DANIEL SILVERMAN AT MPC
GAFFER, REED NISSON
DIT, DAISUKE YOSHIDA
SATELLITE LAB TECHNICIAN, STUART RUTHERFORD
LIGHTING TECHNOLOGY, SATELLITE LAB
ASSISTANTS, DOUG LANE, ERIC SOUCY, SCOTT RINEHART
SENIOR COLOR PRODUCER, JENNA GABRIEL AT MPC
SENIOR VFX PRODUCER, PAULINA SALAZAR AT MPC
VFX CREATIVE DIRECTOR, ALVIN CRUZ AT MPC
VFX LEAD, JOHN SHAFTO AT MPC
COMPOSITORS, GIULIA BARTRA, JERIC PIMENTEL AT MPC
ASSISTANT EDITOR, IDA CHELENGAR
ANIMATION, DANIEL SPANGLER
GRAPHIC DESIGN, NICOLAS SANTOS
STYLIST, JEFF MAHSHIE
MAKE UP ARTIST, LIZ OLIVER
SET DESIGN, CHRIS RUCKER, AMY HENRY
CAST,
CASEY SPOONER, JOHNNY MAGEE, JAMES WHITESIDE, ROBERT VAIL, AARON HOOPER, THOMAS GIBBONS
Microsoft profile on Satellite Lab co-founder Carlo Van de Roer
Thor Ragnarok is out in theaters.
We are thrilled to share some of the press on our work in this film.
...an all-too-brief flashback filled with fury, beauty, liquid motion and mythological mystery.
That scene is a jolt, because it’s a reminder of the narrative ambition and mythic grandeur that’s often reduced in this franchise to epic fights, fancy elocution and special effects
THOR: RAGNAROK USED AMAZING NEW TECH TO SHOW OFF VALKYRIE'S BATTLES
one of the most visually-stunning scenes in a Marvel movie ever.
The Kiwis who have invented a way of stopping time.
"I’ve never seen anything like it, that particular flashback that Val has," Blanchett said. The actress recalled that for the filming of this "amazing" sequence
There is arguably one scene that stands out from the rest when it comes to its pure aesthetic impact: the Valkyrie flashback.
one of the year’s most impressive-looking sequences... simply jaw-dropping.
Tonight in San Fransisco (8/25/17)
We're getting ready to present a 7 minute film captured in a fraction of a second on the 62 foot screen at @dolbygallery, directed by Carlo Van de Roer. Along with an evening of live performances by San Francisco Bay Area sound artists @shanemyrbeck, Emily Shisko, and @cullenmiller -- "SonicLAB ((8))"
RSVP here http://soundwave.splashthat.com
4k cut down from a 7 minute film, captured in a fraction of a second. Commissioned by Dolby. Created using Satellite Lab's DynamicLight and PlateLight technology.
'The cinematography of the #ThorRagnarok Valkyrie versus Hela battle sequence looks absolutely breathtaking.'
-- Marvel Cinematic Universe, on the scenes we shot with our moving light technology for the upcoming Thor Ragnarock film directed by Taika Watiti.
https://twitter.com/mcu_tweets/status/888990994171138053?lang=en
Thor Ragnarok
Check out some of our work in the new Thor Ragnarok trailer, directed by Taika Waititi.
We used our Satellite Lab moving light technology to shoot Cate Blanchett and Tessa Thompson and many winged horses, suspended in time.
This November, Thor: Ragnarok. Watch the teaser trailer now! ► Subscribe to Marvel: http://bit.ly/WeO3YJ Follow Marvel on Twitter: https://twitter.com/marvel Like Marvel on FaceBook: http://www.facebook.com/Marvel For even more news, stay tuned to: Tumblr: http://marvelentertainment.tumblr.com/ Instagram: http://instagram.com/marvel Google+: https://plus.google.com/+marvel/ Pinterest: http://pinterest.com/marvelofficial/